
by Roger Nichols
Remember Philips? You know, they guys who invented the CD along with Sony?
Well, Philips has introduced two versions of a product that may sell as
many copies as CD players. They call it simply, the "Sound Enhancer".
That seems pretty straight forward, but what does it really do? I'm glad
you asked, 'cause I'm gonna tell you.
The Sound Enhancer provides the following functions and effects:
A great use for the Sound Enhancer is transferring phonograph records
to DAT or CD-R. Just activate the scratch suppression and noise filter,
punch up record, and away you go. Keep in mind that this box does not do
a good enough job to replace the Cedar boxes or Sonic Solution No-Noise,
but for home and production studio use, there is nothing on the market like
it.
Your mixes are finished and you want to master them yourself? Well the Sound
Enhancer gives you a big head start. You can brighten up the overall mix,
add some bottom end on a couple of tunes, compress the whole mix a little
to make it sound louder on the radio, and sample rate convert from 48kHz
to 44.1kHz, all at the same time.
Because of the DSP time necessary for some of the more complex tasks, you
can't perform compression/expansion at the same time as scratch suppression,
noise filtering, and stereo enhancement. You can, however add EQ or any
of the other functions at the same time.
I haven't thought about vinyl records for a long time. When I opened the
Sound Enhancer manual, the first picture I saw was of the Sound Enhancer
set up for recording records to DAT. I figured that was what I was supposed
to do, so I went to the garage and dug out my old Technics SL-110A turntable
with SME 3009 tonearm, connected it to an SAE Mark 1B preamp, grabbed an
un-opened, never-been-played Steely Dan album from 1974, fed the analog
output of the preamp into the Sound Enhancer, connected the digital out
to my CD recorder, and BINGO.
The Sound Enhancer did a credible job of lowering the noise level from the
LP without effecting the music. Not bad! I then cranked in some SPATIAL
enhancement to improve the stereo image, added some low end EQ and brightened
things up a smidgen. Now this is the way the record should have sounded
20 years ago.
The EQ is just two bands labeled BASS and TREBLE. The are meant to a nice
broad overall effect of warming up the entire bottom end and smoothly brightening
the entire high end. I personally like this type of EQ for playback because
it doesn't change the mix as narrower EQ often does. I took the finished
CD out to my car for a listen and it sounded pretty good.
Both the professional unit and the consumer unit have multiple digital inputs.
The consumer version allows you to switch between the pair so that you can
have two digital sources. The analog inputs and outputs can be connected
to the loop through jacks of your preamp (for hi-fi installations) or connected
to your patch bay (for studio setups).
As for the analog I/O, I said earlier that the analog section is excellent
sounding. It will be a vast improvement over the D/A converters in all but
the most expensive CD players and DAT machines, and a must for playing back
MiniDiscs.
The decision to buy a Sound Enhancer is a no brainer. Just do it. If your
wife or girlfriend complains, tell her to see me. I'll straighten her out.
Let me know how it turns out.